Towards
PLACE
A negative space on screen; to come face to face with the creator of the work is to realise the work remains unfinished. It is to exist in the purgatorium of an empty stage before one makes the decisions of its contents. Thus, a negative space is created; a hesitation between action and inaction. The spectator is invited to enter this perfectly void outline and negotiate between reality and fiction. The ‘parabolic realism‘ (Dabashi 36) of Panahi’s pre-house-arrest filmography mutates into a miasma of the present that tears the film from its own form. It is as if audience and creator witness the dilemma of each theatric moment not sure if it should document or fictionalise itself anew. The mirroring of the director’s presence then, conceptualises how the nation may transcend from the vacant stage of inaction, into the emancipatory theatron of action. When a man walks across his cell weaving freedom in the knots of his rug, his walk becomes dangerous; his walk becomes a revolution.
این فیلم نیست
Brook, Peter. The Empty Space: A Book about the Theatre: Deadly, Holy, Rough, Immediate. Simon and Schuster, 1996.
Dabashi, Hamid. Makhmalbaf at Large: The Making of a Rebel Filmmaker. I.B.Tauris, 2008.