Stations of Flânerie // The Kenyon Review
Harvesting Studio Affects: From Glenn Gould to Björk // Loom
My Sadness Is Quiet Because It’s Natural // Queer East (forthcoming)
On FILM
Incubus, Accidental Epiphanies in '60s Horror // In Review Online
To Queer Gender; To Queer Genre // 8 Women, François Ozon
The Story of Hwang Yeo-re // Killing Romance, Lee Won-suk
Undressing Genre // Mississippi Mermaid, François Truffaut
Buried Alive within the Mind // The Whip and the Body, Mario Bava
Thoughts on a Perpetual Cathode // Chess of the Wind, Mohammad Reza Aslani
In the Valley of the Kings // The Night of Counting the Years, Shadi Abdel Salam
En ce joli mois de mai 1485 // The Devil’s Envoys, Marcel Carné
Birth is pain. And I remember // Crystal Nights, Tonia Marketaki
Smick Smack, Smick Smack // City of Women, Federico Fellini
In Search of Present Time // Unknown Pleasures, Jia Zhangke
What Makes a Fish Swim // Wild at Heart, David Lynch
A Labyrinth of Attitudes // The Incredible Shrinking Man, Jack Arnold
Father Is Dying, This Much Is True // The Beekeeper, Theo Angelopoulos
I woke with this marble head in my hands // Alexander the Great, Theo Angelopoulos
IN SEARCH OF NATIONAL CINEMAS
Where Is Homeland? // An Introduction
Towards Resistance // Deewaar, Yash Chopra
Towards Time // Chronicle of a Disappearance, Elia Suleiman
Towards Place // This Is Not a Film, Jafar Panahi
On THEATRE
Siamo in un sogno dentro un sogno // What Are the Clouds? Pier Paolo Pasolini
A Ritual of Surveillance // Bros, Romeo Castellucci